Here’s a question I’ve been pondering. Can there be too much sex in an erotic story? I almost feel silly talking about gratuitous content in a work of erotica, but there it is.
Woman of the Mountain, was criticized by one reviewer as having too much sex. I saw the reviewer’s point. Since the novel takes place in a world where sex is literally a connection to divinity, the rampant coupling potentially cheapened the sacrament. Woman went on to win an Eppie for best erotica in 2008, but if I were to rewrite it today, I might well remove a steamy page or two.
The easy answer to my question is “an erotic story should have at least as much sex as the story requires.” Many of my tales are, one way or another, about sex. The erotic scenes are central to the story so it’s easy enough to tie the heat and the plot together. In a short story, it’s easier to find the right level of sex, but novels are harder. I’m in the process right now of weaving the 52+ chapters of my blog serial, Woman of His Dreams, into a novel, so the question has been circling around my brain as I restructure the story. On the blog, I felt like there should be at least a little sex in each chapter, but in a 57,000 word novel, the frequent fucking becomes choppy. Of course. I’m also finding other challenges turning a serial into a novel—pacing, balancing two viewpoints, and such. The process has been educational, though it’s taking longer than I had intended. I’m hoping to have it to a publisher this summer. If you want to read the raw material, with sex in every sequence, it’s all still here.
One unique facet of my chosen genre makes my question even harder to answer. Many readers of erotica read for at least two purposes. Some erotica readers read more for the stories than for prurient interest, but some readers are primarily looking for the kicks that hot, explicit scenes provide. Too little sex in a story definitely risks turning off the reader seeking wank material, while too much may annoy one who reads more for story. Of course, most readers appreciate both elements so, as long as the story justifies the sex, the balance is not too difficult to maintain. For me the ideal approach is to make the sex fit the tale but don’t hold back.
Finally, in erotica, much like horror fiction, I think the best effects are those that are created in a reader’s mind by leaving things unsaid in the prose, which makes the balance between explicitness and ellipsis even more important. Over the five years I’ve been writing, I’ve tried to strike a balance between too much and too little, but I’m sure I sometimes still get the mix wrong. I suppose if I had to condense my experience down into simple advice for a beginning erotica author, I would say, “write just as much sex into the story as you need and then add just a little more.”